With the migration of Jamaicans to the UK in the late 50’s & 60’s the tradition of ‘sound systems’ was also exported. Early UK ‘sound system’ operators like the aformentioned Duke Vin, Count Shelly, Count Suckle, Lloyd Coxsone, & East London’s ‘chicken’, each had a huge following and from these early sounds developed many new ones encompassing new ideas and directions. The concept of a ‘soul sound’ or ‘roadshow’ was developed in the 70’s, by the likes of Mastermind (originally a ‘reggae sound’ called the Mighty Conquerer who changed policy to play Soul/Funk/Disco & later Electro & Hip-Hop music) TWJ, Roxy, Soul Incorporated, Good Times, Freshbeat & Rapattack. Interestingly, ‘Rampage Sound’ who popularised ‘Swingbeat’ in the early 90’s, added a profitable dimension to this concept and made it a business venture by playing on club systems and ‘hiring in’ a ‘sound system’ when needed. All these and many more ‘Sounds’ brought their own style & ideas to the discipline including using professional purpose built PA gear (Electrovoice, Turbosound, ASS, JBL speakers and amplifiers such as Crest & Crown & not forgetting Technics 1200/1210 turntables) as opposed to home made equipment, which was championed particularly by ‘Mastermind’ & ‘Rapattack’ Sounds. Ironically this returns to the origin of sound systems being initially a ‘homemade’ version of a PA system.
During the 70’s & 80’s every area of London & every city with a West Indian population had their own crop of ‘sounds’. Historically it was important to ‘build a sound’, one man (it was mainly men in those days) would mainly buy music, another has an interest in electronics and one liked to MC – ‘talk on the mike’. While a young member or apprentice was learning about the equipment and how to ‘play a sound’ (which means; although you are using recorded music, the effect is of it being ‘live’) he would have the status of a ‘box boy’ his particular job was to lift the heavy speaker boxes at the end of the night!‘ Sound men’ took pride in this achievement, to the point of sound systems challenging each other to a competition or ‘clash’ where each ‘sound’ sought to win over the crowd at a dance by any means such as playing an exclusive record or one off pressing of a tune by a well known artist (a dub plate – UK Garage DJ’s, does this sound familiar?), or the verve of the ‘mike men’ (Saxon had some of the best which in conjunction with their vast knowledge of reggae music helped them win the ‘World Sound Clash’) or sometimes, turning up the bass and ‘drowning out’ the other sound! The sound system world has it’s wealth of stories of rivalry and within this it’s ‘villains & heroes’ to rival any from the corporate world.
The installation is accompanied by a rolling programme of musical events and participatory opportunities from 2019-20. so please check back.